Local News

Brother Valentino’s funeral set for October 29

23 October 2026
This content originally appeared on Trinidad Guardian.
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The fu­ner­al ser­vice for vet­er­an ca­lyp­son­ian Broth­er Valenti­no will take place on Thurs­day, Oc­to­ber 29, at the Cathe­dral of the Im­mac­u­late Con­cep­tion, In­de­pen­dence Square, Port-of-Spain.

The ser­vice is sched­uled to be­gin at 10 am, ac­cord­ing to an an­nounce­ment is­sued fol­low­ing the death of the cel­e­brat­ed singer, whose mu­sic cham­pi­oned equal­i­ty, Black iden­ti­ty and so­cial jus­tice.

Valenti­no, whose birth name was Em­rold An­tho­ny Phillip, died on Thurs­day at the age of 85.

Born in Cher­ry Hill, Grena­da, on Ju­ly 7, 1941, he moved to Trinidad and To­ba­go as a young man and be­came one of the coun­try’s most re­spect­ed so­cial com­men­ta­tors through ca­lyp­so.

His mu­sic ad­dressed racial in­equal­i­ty, pover­ty, po­lit­i­cal au­thor­i­ty and the strug­gles of or­di­nary peo­ple. His 1971 song “No Rev­o­lu­tion” es­tab­lished him as a promi­nent voice of the Black Pow­er era, while oth­er no­table works in­clud­ed “Life Is a Stage”, “Bark­ing Dogs” and “Dis Place Nice”.

His 1979 an­ti-apartheid an­them “Stay Up Zim­bab­we” car­ried his mes­sage of re­sis­tance and sol­i­dar­i­ty across the Caribbean.

De­spite nev­er win­ning Trinidad and To­ba­go’s na­tion­al Ca­lyp­so Monarch ti­tle, Valenti­no earned the en­dur­ing dis­tinc­tion of be­ing called “The Peo­ple’s Ca­lyp­son­ian”.

His achieve­ments in­clud­ed the 2005 Vet­er­ans Ca­lyp­so Monarch ti­tle for “Where Kaiso Went”, a Sun­shine Award and the Hum­ming­bird Medal, Gold.

The Trin­ba­go Uni­fied Ca­lyp­so­ni­ans’ Or­gan­i­sa­tion (TU­CO), in a state­ment fol­low­ing his death, said the ca­lyp­so fra­ter­ni­ty was mourn­ing the loss of a fear­less voice whose pow­er­ful so­cial com­men­tary re­flect­ed gen­er­a­tions of strug­gles, hopes and ex­pe­ri­ences.

The or­gan­i­sa­tion ex­tend­ed con­do­lences to his fam­i­ly, loved ones, fel­low artistes and all those touched by his mu­sic, not­ing that his con­tri­bu­tion would re­main part of Trinidad and To­ba­go’s cul­tur­al lega­cy.