Derk Achong
Senior Reporter
Calypsonian Terri Lyons reaped the blessings of her hard work, dedication and faith in God as she was crowned the 2026 Calypso Monarch yesterday morning.
In a competition marked by several unremarkable performances, missing veteran bards, and an unforgettable technical glitch, Lyons was the undisputed champion.
Her soulful and almost spiritual rendition of her song “Blessings” earned her a second title since her first win in 2020.
She also received the lone standing ovation from the largest audience to attend the Dimanche Gras show at the Queen’s Park Savannah in recent memory.
The announcement of Lyons’ placing placated the rowdy spectators, who packed the Grand Stand and recently reopened North Stand, and they vocalised their dissatisfaction with the judge’s rankings until she was the last name to be called.
Rivaldo London placed second with “Water Thicker”, which also earned him this year’s National Action Cultural Committee Young King title, earlier this month.
Following up on the theme of family, nine-time Chutney Soca Monarch Samraj “Rikki Jai” Jaimungal placed third with his rendition “Doh Spoil Meh Name”-a message from a father to a son.
Following up on his third-place finish in his first foray in the competition last year, Akhenaton “Yung Bredda” Lewis placed fourth on his return with “The Messenger”.
Regular contender and one-time winner Karene Asche placed fifth with her political commentary “Nobody Wins Until”, which featured clear East Indian elements in its melody and presentation.
However, defending monarch Helon Francis’ presentation “Doh Forget” was the major talking point of the night.
It would not be remembered for his strong rendition, elaborate props, its powerful lyrical content or eventual sixth-place finish, but rather for a controversial cut in the audio in the live broadcast of the show by State television station TTT.
Social media was immediately flooded with conspiracy theories alleging that the former Independent Senator’s airtime was botched to censor his thinly veiled critique of the United National Congress (UNC) Government.
Opposition politicians, including former prime minister Stuart Young, were quick to add fuel to the fire in their own posts as they directly alleged a political conspiracy.
“We will not sit quietly and idly by allowing the UNC to use and abuse state resources and institutions to censor our free speech, expression, and culture,” Young said.
Former two-time monarch Roderick “Chuck” Gordon, who was a surprise omission from the final after a seemingly strong showing in the Calypso Fiesta semifinal, also chimed in.
“From the preliminary round of the Calypso Monarch to now, what we have witnessed is a blatant attempt by this administration to stifle, muzzle, and limit the role of the calypsonian in expressing socio-political views-a foundation from which calypso itself was born,” Gordon said.
In a press release issued hours later, TTT denied allegations of a nefarious plot as it claimed that the audio drop was due to a “network routing error”.
Whatever the reason, the issue could not be blamed for the judges’ much-maligned adjudication, as they did not have to rely on TTT’s feed to assess the performances, which were uninterrupted at the venue.
Asche’s presentation, which was arguably more satirical, did not suffer the same technical issue as Francis’s, though their placement was similar.
Lyons’ captivating performance began with her kneeling and delivering a solemn prayer.
“I tired, and I worried, and I feeling. My faith been tested time and time again. But my spirit is determined to believe and overcome life’s trials that seem to never done, but still, I kneel before you in a prayer in song,” she sang.
“I come to pray for the strength that is required. Amen. I pray for my people to not lose their fire. Amen. I sending prayers for those who are suffering in silence. Amen. Grant them wisdom, cures, clarity and guidance. Amen.”
“I praying for the young and for the old, cover their minds and don’t let them lose control. Though we stand in sin and our transgressions are many, we thank God for the life that he gave we.”
“To all who doubting and losing faith, time to congregate aint no time to separate. I calling on my prayer warriors in the country, come forth Trinbago need we,” she sang.
Her presentation featured numerous back-up dancers, actors, several wardrobe changes and was more akin to a professional concert production than a usual competition offering.
It ended with her wearing only a fraction of the modest white ensemble and headwrap she started with and waving a national flag in front of the cheering audience members, some of whom were moved to tears by her vocal range and endurance.
Before being interviewed by the media, Lyons, the consummate performer, called for a microphone and delivered an a capella rendition of the chorus of her song, much to the delight of the patrons who remained in the North Stand to ensure she had not been hard done by the judges.
Lyons was overwhelmed by the outcome as she just found the time to eat when the results were announced shortly after midnight.
She said she was happy she was able to deliver the presentation she intended.
“I’m not a competitive person, but I like to use this forum in order to have a show, you know, a little mini eight-minute concert, and that is what I love to do,” Lyons said.
She said she was stunned by the crowd’s reaction- a feat rarely achieved by calypsonians in the modern era of the competition.
“I’m just happy that people received the song, because that song was really dear to me,” Lyons said.
Lyons’ father, soca legend Austin “Super Blue” Lyons, was present to lend emotional support before she took to the stage.
She admitted that she drew inspiration from her mother, a Spiritual Baptist, who passed away in 2002.
However, she noted that the song was a universal call to prayer for religious and spiritual citizens from all faiths.
“When I say I call on all the prayer warriors, I mean all the religious people. Not just one religion,” she said.
Lyons shared the victory with her son, Matthias Fortune, whom she said she strives to be a role model for.
She noted that while her teenager has shown promise in carrying on their family’s rich musical legacy, he had chosen to play the steelpan over vocal expression.
“I just want to be an example for him and for other kids. I don’t like to give a false image of stardom. I need them to know that this is hard work,” she said.
The mother and son shared a playful interaction as he offered to help her drive the Suzuki Vitara she received from Lifestyle Motors, in addition to a $1 million cash prize.
London received $500,000 for his second-place finish, while Jaimungal received $350,000. The fourth and fifth place calypsonians received $250,000 and $175,000, respectively.
All other compeitors including Francis, received $45,000 for their participation.
Patrons in the Grand Stand and those who attended for free after the North Stand was reopened since 2012 were treated to classic songs from calypso king Slinger “Mighty Sparrow” Francisco performed by soca stars and calypsonians including Kes Dieffenthaller, Swappi, and Michael “Sugar Aloes” Osouna.
The latter delivered a pore-raising rendition of Francisco’s classic “Slave”.
While an ailing Francisco did not attend the event, a pre-recorded message from him was played for the audience, complete with his unmistakable raucous laugh.
2026 Calypso Monarch Results
1. Terri Lyons - Blessings - 263
2. Rivaldo London - Water Thicker - 245
3. Rikki Jai - Doh Spoil Meh Name - 241
4. Yung Bredda - The Messenger - 240
5. Karene Asche - Nobody Wins Unit - 239
6. Helon Francis - Doh Forget - 237
7. Nicole Thomas-Clarke - Sacrifice - 236
8. Ta’Zyah O’Connor - Cast Them Away - 235
9. Giselle “GG” Fraser - No Village Can’t - 230
10. Muhammad Muwakil - Calypso - 228
11. Kerice Pascall - No Conscience - 225
12. Roslyn Hayes -Calypso Calling Me - 212